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Tasty Mystery Baskets of Clips
- Lettie, you'd better come out here. - I've got the books she ordered.
We Can Never Reconcile Our Differences.
The books are here.
We can never reconcile our differences.
Who's buying the wine?
Everything's rosy
(slow, moodyjazz)
that dancing is nothing more than a form of expression or release?
I know you can show how
BeautifuI!
You'd be amazed how small the demand is for pictures of trees.
But so hypnotic
We is goin'
Or should I run?
- PauI DuvaI? - Yes, PauI DuvaI.
That is a piece of sculpture by ltsabuchi.
Corbillard
- I can't stop. Take the picture. - Stop!
Let's hurry. We might have to pick up Harold's laundry on the way.
That would be novel in a fashion magazine.
You can get a IittIe wink
In fact, I feeI wonderfuI.
- How can you be in Iove? - I'm a bIack sheep.
This must be the place.
She's at her hotel, but she won't take messages.
Stand here, please. There's a good place. Fine.
Good. We'll put you to work.
- Florida. - That's us. De Tallahassee.
For miles and miles and miles
And once you know, oh how
On you it Iooks cute, sugar.
I can't, Babs, I got my hands full.
Jo, give me the works. Heartbreak, Ionging, tragedy.
Oh, chÈri.
Why don't you photograph trees?
- She gave you 18 stitches? - And a gashed Iip.
It's based on empathy.
I'm afraid it's all my fauIt. I thought you'd make a good modeI.
Pardon, monsieur.
We're in the same boat
Sympathy is to understand what someone feels.
Good. Alright. Now, la steam!
And I see no functionaI advantage in a marvellous mouth.
What are they doing? They've been hours.
On the proposition that in union there is strength
- I couIdn't do it. - Let me be the judge of that.
Will I see you any more?
I didn't reaIise we made such a mess.
They've been waiting for you at DuvaI's all day.
She's filled with virtues. Only she's not wasting them on us.
Now, wait a minute. Just a minute.
With more than beauty
burn the blue,
That's for me
But this would be a violation of all my principles.
Miss Prescott's secretary will deaI with you.
The railroad is going to paint a whole train pink
The great American woman, who stands out there naked,
(Jo) I'm ready.
It's hard to expIain, but it's all part of empathicaIism.
Look, Marion, I'd Iike to try it again.
Oh, it's you. Well, come on in.
Oh, I feeI that I couId meIt
You haven't quite got it. Now, Iisten carefully.
I put myseIf in your pIace and I feIt that you wanted to be kissed.
Pink's for all the famiIy
I'm sorry about the troubIe. I didn't reaIise.
Get to work. I'll take care of Dick. Leave it to me!
A collection will be designed for her by the greatest couturier in Paris.
And I Iove too?
May I heIp you?
(both) Bonjour, Paris
Look what you've done! Bursting in here Iike a hoodIum.
Nice of you to say so, but it was me...
and bury the beige.
Dovitch, I can't wait to tell you about my feature for the next issue.
face
Why raise a storm up if we'll just warm up?
If I Iet this go through, I will have faiIed the American woman.
Good. Now, where is Jo?
Leave it to Dick to find a delicatessen in Paris.
It's my newest project. When you hear it, you will drop.
Good morning, Miss Prescott.
Think pink! Forget that Dior says black and rust
funny
I want to wander
Oh, 's wonderfuI
Couldn't I stay? The professor wants to talk to me.
My dear, you mustn't assume guilt for something that was unavoidable.