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Tasty Mystery Baskets of Clips
Achieve something every day.
♪ Why do you build me up ♪
♪ We on our way home ♪
♪ You know I nearly broke down and cried ♪
Why is this microphone very quiet?
So it's like a red-hot news program.
"You see, John kept bringing this girl along."
All day? Yeah.
♪ In the sun ♪
Yeah, but I mean the bit in the villages and stuff.
[George, John] ♪ Longer than the road That stretches out ahead ♪
Then go through there? - No.
- Or would you not like to? - What's that?
There's lots missing yet. This afternoon, late--
Let's just make a different single for every country.
♪ The Harper Bazaar ♪
♪ I got nothing to lose ♪
♪ I got a feeling A feeling I can't hide ♪
- Can you play violin? - No.
Yeah, well, now we've got-- You can alternate through 'em.
Drop me off tonight?
How you doing? How are you? How you doing, baby?
♪ Because you're sweet and lovely, girl It's true ♪
I wouldn't mind having--
"Jo left his home in Tucson, Arizona."
Is there any need to do this in public, Mr. Lennon?
It's like if it's-- Say it's his number, this whole show.
- It's a wrap.
That is the biggest joke, to be yourselves.
You stand outside all day long. Can you tell us why?
- I say it now so we can get on with it. - No idea.
- They were so sweet, man. - Were they?
That's what it is.
and let him have a listen, take 'em home at night.
Ringo's the teacher-- the schoolteacher who goes to see him.
But if he gets any good on it we'll give him a good one.
I was just talking to him about that.
- That was probably when we did-- In your room.
the last verse before the solo,
But this time we wanna do it live.
I didn't think about it.
Can we carry this on tomorrow?
- There's no, sort of, sleeve notes-- - And a picture of her.
♪ Desmond had a bar ♪
♪ Early in the morning I'm a-giving you the warning ♪
It's so freezing in here.
then you sing a verse, and one last, long "Get back" and out.
Personally, I was a phenomenon.
What's the possibility of you using another bass?
It all started with Rosie.
And you've obviously read in the papers about the possible split of The Beatles.
He might have something in that though.
Yes. We found out, didn't we?
- Yeah. - And if we hit one, great.
♪ Let it be ♪
"Bathroom Window," "Let It Be."
♪ And she'll never walk down Lime Street anymore ♪
♪ Well, the more we ran Won't be back again ♪
Pretty sure we're going.
We'll write some more, should we?
Gonna hear that.
Well, that was the idea. 'Cause you said you were making a film.
'cause it's change of reel.
One more.
♪ Getting nowhere ♪
- You're right. - I know.
♪ Mother Mary comes to me ♪
so thrilled doing it.
- PA is not on. Hello...
Take one.
♪ See-- ♪
Linda was saying, sitting up on his roof
Okay.
Shall we hear it?
♪ For all of your love ♪
- Hello? And this one isn't on.
Then when I arrived back RS was here.
♪ Well, you can indicate Anything you see ♪
♪ They have taken her away ♪
- Oh, yeah. I've been there. - I looked at mine last night,
♪ Sweet Loretta Marsh, she thought-- ♪
♪ Yeah ♪
♪ Imagine I'm in love with you ♪
Yeah.
- And there isn't another one in the world. - It's a mixer!
Well, thank you very much.
Way back in the '50s.
- left Paul and Ringo aghast..." -♪ I'm a-giving you the warning ♪
Will you have any new ones today?
♪ Don't let me down ♪
We-- We're in a recording studio again in London making another album, you know?
in the next two weeks, what are we all betting?
♪ I'll never do you no harm ♪
shall be united.
♪ Or something that she heard? ♪
What do you want for lunch?
- Yeah. - We're trying to get a break to separate.
♪ Take your partners And do-si-do ♪
Are we coming in tomorrow? - Yeah.
The point of doing it all in one go is that we're aware of the camera.
By Mary Hopkin.
the other goes to the foot pedal.
♪ Get back ♪
'Cause this would happen all the time.
♪ You know, the moo... ♪
♪ But he knew it couldn't last ♪
What's that one?
It's not as though there's any sort of earth-splitting rows or anything.
Are we gonna do it all here now?
Yes, Paul, you have to be strict. Some discipline.
I've just gotta be sort of different on the rhythm.
Are you talking from experience then, John?
And now, your host for this evening, The Rolling Stones.
Uh-huh.
-♪ All I want is you ♪ - It just doesn't happen.
You heard the drums are on two tracks. So, like, when he goes...
Yes, Glyn?
so just get yourself together, will you?
Too much to admire.
♪ Yeah ♪
"I'm a cheat."
to put one of them on the cover of the LP.
In the middle of all that, actually...
It sings all right.
It's his decision, that.
Turn over.
Nowadays, the captain gets off first.
Oh, yeah, you could. Do that and rock and roll a bit.
You just thought he might slip you the answer.
and he's-- you know, and he's--
- No, not yet. - We've got him off Capitol.
- I hear yesterday was good? - Mmm.
Yeah, sure. - Okay. Bye.
♪ It's easy... ♪
Wow, that's great.
for the sake of it.
♪ There's still a chance For them to see ♪
Thanks, Mal.
Did you tell Paul we've got Billy a contract?
Once upon a tarmac,
♪ Whoa, he ain't got no friends no how ♪
♪ You make me happy when skies are gray ♪
♪ Ga, Ma, Pa, Ni ♪
Well, ladies and gentlemen, we'd like to change up the tempo a little.
What do you do? You put it on a replay, which is plugged...
Get a shave, get your fucking hair cut, you know?
♪ I'll always be true ♪
Hey!
He'd have to just have less sides.
Did you see Hancock? - Yeah.
- Yeah.
in the middle of the room, though.
- What? - Slightly varied second time.
Neil expressed an opinion that no one was coming.
Give up Canned Heat. We're The Beatles now.
♪ Early in the morning I'm a-giving you the warning ♪
♪ A man is born ♪
Then they'll be able to.
♪ Love me do, love me do ♪
Very kind of you, but I-- I must be off.
Okay, Glynis.
Just don't talk when he's playing there, gang.
and has sent them their telegrams and things.
Yeah. ♪ I dig a pony ♪
And we sing it straight to 'em. You know?
The heat? - Yeah.
You see what happens?
It's only the suddenness of their decline from the status of 'boys next door'
"Sunrise," "I Me Mine."
- Number three. - How about that, folks?
- It's impossible to remember. Sure.
Especially like to thank you for all the birthday presents.
-♪ Oh, yeah ♪ ♪ Oh, yeah ♪
♪ You know, she left ♪
♪ Mother Mary comes to me ♪
Why don't we have--
No, Tony's in it. He's the fence.
Take it slowly.
But they gain a... slim, lithe look.
No, I can't juggle.
I wouldn't mind having...
Well, shall we do it tomorrow? The harmonies?
I think we're just gonna sing them live to the camera.
I probably, you know, having got it together,